AFFECT IN BAROQUE PERFORMANCE AND ITS INSTRUMENTAL REALIZATION ON THE BAYAN

Authors

  • Andrii Zhelizko Tchaikovsky National Music Academy of Ukraine

DOI:

https://doi.org/10.30888/2709-2267.2025-34-00-019

Keywords:

affect, Baroque, musical rhetoric, interpretation, bayan, terraced dynamics, polyphony, articulation, registration model, bellows technique

Abstract

The theses explore the role of affect as a fundamental principle of Baroque musical aesthetics and emphasize its relevance for performance interpretation on the bayan. The paper analyzes key rhetorical models of Baroque music and examines their impact on

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Published

2025-09-30

How to Cite

Zhelizko, A. (2025). AFFECT IN BAROQUE PERFORMANCE AND ITS INSTRUMENTAL REALIZATION ON THE BAYAN. Sworld-Us Conference Proceedings, 1(usc34-00), 220–224. https://doi.org/10.30888/2709-2267.2025-34-00-019

Issue

No. usc34-00 (2025): Promising areas of theoretical and applied research '2025

Section

Abstracts

License

Copyright (c) 2025 Authors

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This work is licensed under a Creative Commons Attribution 4.0 International License.